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RAI FILM

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  • film shop
    • Ethnographic film catalogue
    • RAI Film – view on demand
    • Teaching resources
    • Prices
  • RAI film festival
    • RAI Film Festival 2025
    • Group rates for RAI Film Festival 2025
    • Prizes and awards
    • RAI Film Festival programme 2023
    • Archive of past editions
Menu
  • film shop
    • Ethnographic film catalogue
    • RAI Film – view on demand
    • Teaching resources
    • Prices
  • RAI film festival
    • RAI Film Festival 2025
    • Group rates for RAI Film Festival 2025
    • Prizes and awards
    • RAI Film Festival programme 2023
    • Archive of past editions
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  • #767 (no title)
  • 16th RAI Film Festival 2019 Conference
  • 2017 film festival
  • 2017 RAI Film Festival Library
  • 2021 Conference Panels
  • 2023 Timetable
  • Abigail Taylor: Rethinking Humanitarianism: Fundamental Flaws and Pathways Forward
  • About the RAI
  • ABOUT: RAI FILM FESTIVAL 2025
  • Accommodation
  • Admin films
  • Andy Patruno: Deportation – a cycle of pain
  • Anna Löfstrand: Text in Unexpected Places: No One Is Illegal On Stolen Land
  • Anti-Racist Documentary Filmmaking Workshop – live feedback session
  • Apsara Gurung: Sense of self
  • Archive of past editions
  • Ardalan Jaf: Internal effects of the asylum claim process
  • Best Practice for Convenors
  • Best Practice for Delegates
  • Best Practice for Presenters
  • Blog
  • Buy tickets and passes for RAI Film Festival 2019
  • Buy tickets and passes for RAI Film Festival 2019
  • Call for films
  • Call for papers
  • Charlotte Dick: The Obituary
  • Cindy Gao: Past, present and future (in)visibilty of Chinese diaspora in the American colonial cultural archive
  • Clara Schade-Poulsen: Border Materialities – (In)visibilities at the Austrian-Hungarian frontier
  • Contact
  • Cookie Policy
  • Covid Collage Chronicles by Cathy Greenhalgh
  • David and Judith MacDougall Film Collection sale
  • David Paredes
  • Deesha Menon: Transient Corporeality
  • Dream Girls
  • Eden Tse: Architectures of Coexistences
  • Edge of the Knife
  • Emily Rowcliffe: Saints and Celestial Bodies of the Mexico/US Border
  • Ethnographic Film Catalogue
  • Ethnographic films for sale
  • Eurorama 2019: The Best of Europe’s Ethnographic Film Festivals in London
  • Festival Ambassadors
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  • Festival programme 2021
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  • Film catalogue spring 2020
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  • Film Library 2019
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  • Films
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  • Flora Laney-Hubbard: “Fake” passport
  • Get involved
  • Getting to Bristol
  • Ghadeer Najjar: Invisible borders – Life on Liminal Spaces within a City, the Case of Jerusalem
  • Hannah Hames: Sending me home
  • Helen Davey: Mapping space, movement and isolation – the journeys of Ukraine’s Internally Displaced People
  • Holly Hudson: 296
  • Home
  • Home
  • HOW TO PRE-RECORD YOUR CONFERENCE PRESENTATION
  • Imagine(ing) migration.The aesthetics of borders and resistance by SOAS MA Migration and Diaspora.
  • In Person at the 16th RAI Film Festival
  • Information for Conference Participants
  • Iona Roux: NEOLIBERAL
  • Isheanesu Kwaramba: Nai Chipo
  • Jacob Heath: If not time, what can the Empire Clock tell us today?
  • Jake Clarke: The Ghosts at Dover
  • Jessie May Hodges: ‘Motherhood Clause of the Citizenship Act’
  • Judges
  • Judges
  • Julia Dagg: Loading
  • Kezia Pearce: Our Wednesday Family: the Hands of Migrant Women
  • Kim Longinotto – Lifetime Achievement Award & George Brandt Lecture 2019
  • Kimberly Olden: A Woman’s Wish
  • Lagnajita Mukhopadhyay
  • Laurent Van Lancker masterclass
  • Leia Ben Naceur: State-Performing Citizen
  • Lenise Williams: Transnationalism and migrant generational concepts of home
  • Lillian Bankiyan-Monfard: Disability as a lens, subverting Google maps
  • List of films available for educational and community screenings
  • list of pages
  • Live discussions
  • Mirror Mirror
  • Monica Nyazika: A closet in migration
  • New Images
  • Nicola Banks: Mobility of Domestic Workers in Lebanon: A Discussion on ‘Stuckedness’
  • Noah Faris Sadik: Dear Yassir, short story
  • Online safety
  • Opening film 2017
  • Parwana Haydar: Disposability within western academia
  • Phoebe Parsons: ‘I Stopped These’
  • Practical info
  • Practical info
  • Press
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  • Prizes and awards 2019
  • Programme
  • Programme 2017
  • Programme highlights RAI FF 2019
  • Queer Brazil!
  • Queer Eyes – documentaries from the RAI collection
  • RAI FF 2017 Prize Winners
  • RAI Film – view on demand
  • RAI Film Festival
  • RAI Film Festival
  • RAI Film Festival 2019 President’s Award and opening film
  • RAI Film Festival 2023 – conference panels
  • RAI Film Festival 2023 dates
  • RAI Film Festival 2023- Online Conference
  • RAI Film Festival 2025 Group passes
  • RAI FILM FESTIVAL CREATIVE MENTORSHIP SCHEME
  • RAI Film Festival Digital Library
  • RAI Film Festival prizes and awards
  • RAI Film supports online learning during the COVID-19 crisis
  • Recording Policy
  • Rukmini Banerjee: On Club London has a Bouncer
  • Samantar Osman: Floodwater-Qardho or I was drowning, I wasn’t
  • Sean Warmington-Wan: Ferryman
  • Sensing borders (& resistance): Creative methods in embodied migration research by SOAS MA Migration and Diaspora.
  • Shabazz Ullah: It’s not always jokes
  • Shadia Haq: Rohingya Refugees – A Soundscape of 2017-2022
  • Shrobona Shafique Dipti: Abandoned Silences
  • Sigrid Corry: We are not dead, we are waiting to live
  • sitemap
  • Sophie Falshaw: The sights and sounds of Lye
  • Special Focus: Safi Faye
  • Sponsors and partners
  • Sponsors and Partners
  • Submission form
  • Submission Payment
  • Submission Received
  • Susanna Owusu Twumwah: Empowered women in Italy- The magazine of my dreams
  • Susie Brand: Waiting time
  • Tansha Vohra: Objects of Refugeetude
  • Tara Gill: They think I am from Pakistan
  • Tara Medlej: Society, Fragmented – a Beirut Juxtaposition
  • Teaching resources
  • Teesta Rawal: Every Movement has a Price
  • Thank you from the RAI FILM FESTIVAL
  • Thank you!
  • The future of Visual Anthropology in the wake of Black Lives Matter
  • This is my Face
  • Three to See at RAI Film Festival if You’re Interested in… Environmental Activism
  • Victoire Montet: But where are you really from?
  • Volunteer
  • Volunteer with us
  • Volunteers and interns
  • War, Exile and the Music of Afghanistan
  • Welcome to the RAI Film Festival Programme 2019!
  • Yarin: A change in audience
  • Yasmine Mattoussi: Losing Tati: How are time and space implicated in im/mobility?
  • Yidi Zheng: Mixing Spaces – “Beijing Natives” vs “Waidi bi”
  • Your stay in Bristol
  • Zhanhui Jiang: No titles – The exiled body as the revolutionised human

Contact

film@therai.org.uk

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Film shop

  • Film Catalogue
  • RAI Film – view on demand
  • Teaching resources
  • Prices
  • Film Catalogue
  • RAI Film – view on demand
  • Teaching resources
  • Prices

Film Festival

  • RAI Film festival 2023
  • RAI Film Festival 2025 Group passes
  • Prizes and awards
  • Festival Programme 2023
  • Archive of past editions
  • RAI Film festival 2023
  • RAI Film Festival 2025 Group passes
  • Prizes and awards
  • Festival Programme 2023
  • Archive of past editions
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